Curious Edinburgh - Curious Edinburgh

2 St Mary`s Street

Nov 242020

2 St Mary’s St, EH8 8AA

2 St Mary’s Street was the first building erected under the 1867 Edinburgh Improvement Act. The act was the achievement of William Chambers (1800-1883), Lord Provost of Edinburgh and Sir Henry Duncan Littlejohn (1826-1914), the first Medical Officer of Health for the city. In 1765, Littlejohn published his Report on the Sanitary Condition of the City of Edinburgh, in which he demonstrated, using innovative statistical methods, the effects of population density, poverty, and sanitary conditions on the health and life expectancy of people. The Report helped persuade city officials to act. Legislation was passed to widen streets, clear congested housing sites, improve water supply, and monitor more closely the quality of food, among other things. However, in practice, the Improvement Act was used to legally demolish the poorest tenement dwellings in Old Town, which were replaced by housing for artisans, tradesmen, and the `superior` working classes. The large-scale slum clearance, although celebrated for its sanitation improvements, reduced the amount of available housing and displaced much of the city’s poor, ultimately shifting, rather than solving, the housing problem.

Upper College Wynd before demolitions, by Archibald Burns, 1871 (Scottish National Portrait Gallery) — Upper College Wynd before the demolitions associated with the City Improvement Scheme,
photograph by Archibald Burns, 1871
(Scottish National Portrait Gallery)

Crumbling houses on Cowgate by William Donaldson Clark, c.1860 (Scottish National Portrait Gallery) — Crumbling houses on Cowgate near the pillars of George IV Bridge, photograph by William Donaldson Clark, c.1860
(Scottish National Portrait Gallery)

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Sir Henry Duncan Littlejohn’s Edinburgh

Chessel’s Court

History of Public Health No Responses »

Nov 242020

240 Canongate, EH8 8AD

The High Street was the main public space and spine of the original town structure, with enclosures (or ‘closes’) situated on either side. Each enclosure consisted of a dwelling at the top and gardens behind, extending towards the fields further down the valley. As the population grew, the gardens were built over, and, by the 17th century, virtually all green space had disappeared. Dwellings off the street front were accessed through narrow ‘wynds’ and ‘closes’. Chessel’s Court is one example of the 19th-century urban regeneration efforts led by the botanist, philanthropist, pioneer sociologist and town planner, Sir Patrick Geddes (1854-1932) and the Edinburgh Social Union. Geddes and other members of the Union worked closely with architects and local residents to rescue derelict inner-city tenements and transform them into livable spaces; an approach he termed ‘conservative surgery’. This involved creating a network of small community gardens on available open spaces in Old Town, bringing inner-city residents back in touch with nature, light, and air. A botanist by training, Geddes believed that people and their environment evolved together, and the human misery and degradation seen in Edinburgh`s Old Town could be reversed by the systematic improvement of the living conditions of its inhabitants.

More green space towards the top left end of the courtyard. — More green space towards the top left end of the courtyard

Edinburgh Bird`s Eye View looking West c.1450 AD. By Sir Frank Charles Mears, member of the Edinburgh Social Union, 1910. — Edinburgh Bird`s Eye View looking West c.1450 AD, speculative sketch of the historical town showing gardens and fields behind the closes on High Street. By Sir Frank Charles Mears, member of the Edinburgh Social Union, 1910
(© The University of Edinburgh).

Patrick Geddes in Lasswade (© The University of Edinburgh) — Patrick Geddes in Lasswade
(© The University of Edinburgh)

Children working in garden, photograph by Patrick Geddes
(© The University of Edinburgh) — Children working in garden,
photograph by Patrick Geddes
(© The University of Edinburgh)

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The Statue of Robert Ferguson

History of Public Health No Responses »

Nov 242020

145 Canongate, EH8 8BN

The famous Scottish poet Robert Ferguson (1750-1774) died tragically when he was just 24 years old. In the years before his premature death, he suffered from bouts of depression taking the form of debilitating religious guilt. While out on the town with his friends he took a fall, which caused a serious head injury. Because his mother (then his only living parent) was unable to care for him, he was committed to the Edinburgh Asylum for Pauper Lunatics, where he later died in his cell. Fergusson’s incarceration and death inspired physician and joint founder of the Royal Society of Edinburgh, Andrew Duncan (1744-1828), to establish Edinburgh’s first public lunatic asylum in Morningside. Duncan had been one of the physicians treating Fergusson and was appalled by the conditions in the asylum. In a letter to the Scottish Sheriff Deputy he wrote of his experience of his visits with the poet that it “afforded me an opportunity of witnessing the deplorable situation of Pauper Lunatics even in the opulent, flourishing, and charitable Metropolis of Scotland”. By establishing the asylum in Morningside, Duncan contributed to Fergusson’s legacy, not just as a brilliant poet, but as someone who had a lasting impact on public health in Scotland.

Portrait of Robert Fergusson by Alexander Runciman, about 1772. (National Galleries Scotland) — Portrait of Robert Fergusson by Alexander Runciman, about 1772.
(National Galleries Scotland)

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The Museum of Edinburgh, Hunty House

History of Public Health No Responses »

Nov 232020

142-146 Canongate, EH8 8DD

The Museum of Edinburgh is dedicated to telling the history of the city through its unique collection of objects, ranging from the precious to the mundane. In the first-floor exhibition space, in the third room to the left of the staircase, there is an early 17th-century chamber pot on display, excavated from below the buildings of Old Town. Before the introduction of water closets, human waste collected in chamber pots was often tossed onto the streets by maids calling out `guardyloo` (from the French expression `prenez garde à l`eau` or `watch out for the water`), a custom going back to the Middle Ages. This lack of efficient waste management created major problems as the population grew. In 1749, the `Nastiness Act` was passed, restricting the tossing of refuse (or `fulsies`) to the hours between 10 pm and 7 am. Dust carts were introduced and scavengers employed to clean up the streets. Nonetheless, poor sanitation in Old Town remained an issue well into the 19th century, leading to frequent outbreaks of cholera and fevers.

`If any one, from his windows, or doors, or otherwise, shall throw sweepings, foul water, or other nastiness, … by which he tears or defiles the cap or coat of any one passing, that passenger, so injured, may demand and make good in law a double compensation for his damage. But this double reparation cannot be awarded, if the way was not a public one, or if the individual solemnly and fairly proclaimed what was coming, by crying, “Garde l`eau.”` From the 16^th-century *Flemish manual of criminal law* Praxis rerum criminalium by *Joost de Damhoudere (Louvain, 1554)*, cited in Reekiana, or Minor Antiquities of Edinburgh by *Robert Chambers (Edinburgh, 1833)*.

Early 17th-century chamber pot (The Story of Edinburgh in 101 Objects https://edinburgh.org/101/

Royal Mile

History of Public Health No Responses »

Nov 232020

Tolbooth, Cannongate, Edinburgh

The stretch of the Royal Mile running from Castle Hill to Blackfriars Street is the oldest part of Edinburgh. Chartered as a royal burgh in the 12th century, the medieval town core saw an immense population boom, growing from an estimated 2,000 inhabitants in the 12th century, to 15-20,000 in the 15th, and upwards of 50,000 by the 17th century. The problems caused by severe overcrowding within the medieval town walls intensified as the city expanded north in the second half of the 18th century. As the well-to-do moved out into the elegant Georgian buildings of New Town, the living conditions of the poor who remained in Old Town rapidly deteriorated. By the 19th century, the district had arguably turned into the worst slum in Britain. This tour will offer a glimpse into the public health issues that arose from overcrowding, poverty, and civic negligence, and review some of the innovative measures developed in the 19th century by city administrators, public health officials, social reformers, and philanthropists to remedy them.

Bird`s eye view of Edinburgh in 1647 by James Gordon of Rothiemay (The National Library of Scotland https://maps.nls.uk/)

Plan of New Town from A Collection of Plans of the Capital Cities of Europe by John Andrews 1771 (The National Library of Scotland https://maps.nls.uk/). The plan shows the contrast between the winding narrow passages of Old Town, and the wide, airy Georgian boulevards under construction in New Town.

BBC History – The Rise of Edinburgh

Kokumo Fadeke Rocks

BLM Mural Trail (Edinburgh) No Responses »

Oct 212020

The Writers’ Museum, Lawnmarket, Lady Stair’s Cl, Edinburgh EH1 2PA

Kokumo was raised in Cowdenbeath. She describes herself as an African/Asian /Scottish writer and performance poet and has performed in the UK, USA, India and Africa. Her collections Bad Ass Raindrop (2002), Stolen From Africa (2007), and Happily Drowning (2019) were published by Luath Press.

This exhibit showcases two poems written by Kokomo Fadeke Rocks titled ‘Stolen From Africa’ and ‘See You, See Me’.

https://www.wezi.uk/mural-trail-locations/
https://www.instagram.com/blmmuraltrail/
https://www.luath.co.uk/kokumo-rocks

Ayo Adedeji

BLM Mural Trail (Edinburgh) No Responses »

Oct 212020

The Quaker Meeting House, 7 Victoria Terrace, Edinburgh EH1 2JL

Ayo Adedeji was born In Lagos, Nigeria and moved to the UK at one year old. A self-taught artist, based in Edinburgh. Ayo creates his images using traditional graphite pencils, charcoal and transfers these images onto various digital platforms.

https://www.wezi.uk/mural-trail-locations/
https://www.instagram.com/blmmuraltrail/
https://www.instagram.com/buludej/

Beatrice Ajayi – Croi Croga

BLM Mural Trail (Edinburgh) No Responses »

Oct 212020

Museum of Childhood, 42 High St, Edinburgh EH1 1TG

With a West African heritage, fine artist and illustrator Beatrice Ajayi was born in Scotland. Having both cultures laced through her upbringing gave her a perspective that is creative, refreshing and unique. There is a freedom of expression that entwines an endless supply of narrative. As a child, she spent most of her time drawing writing stories, dancing and singing her own songs. After completing an Art Foundation course at Croydon College in Surrey, she went on to do a BA (Hons) Degree at Nottingham Trent University.

Beatrice’s work has been described as both “engaging and daring”, and been exhibited in galleries across the UK. Since her early teens, she has continued to develop her unique style as a fine artist and illustrator.
This new piece, in a style she describes as African Anime, was specially designed for the Mural Trail and is inspired by her experience of growing up as a Black Scottish child.

https://www.wezi.uk/mural-trail-locations/
https://www.instagram.com/blmmuraltrail/
http://www.beatriceajayi.com/

Tayo Adekunle – History Not Fashion

BLM Mural Trail (Edinburgh) No Responses »

Oct 212020

Scottish Storytelling Centre, 43-45 High St, Edinburgh EH1 1SR

Tayo Adekunle is a British Nigerian photographer based in Edinburgh. Working a lot with selfportraiture, she uses her work to explore issues surrounding race, gender and sexuality as well as racial and colonial history.

Her work is centred around reworkings of historical tropes relating to the black female body, taking from contexts that include art historical paintings and sculptures as well as 19th-century colonial photography. By placing historical imagery in a contemporary context, the relationship between the treatment of the black female body in the past and its treatment in the present day is explored.

https://www.wezi.uk/mural-trail-locations/
https://www.instagram.com/blmmuraltrail/
https://tayo-adekunle.format.com/collages

Jeda Pearl Lewis – Beloved Black

BLM Mural Trail (Edinburgh) No Responses »

Oct 212020

Museum of Edinburgh, 142-146 Canongate, Edinburgh EH8 8DD

A newly commissioned poem written by Edinburgh based poet Jeda Pearl Lewis, titled ‘Beloved Black’ the text begins

Black is the absorption of all visible light
You are life
You are the scattered dust of stars, full-spectrum,
generating the cosmos throughout spacetime
You are a gift

Jeda Pearl is a Scottish-Jamaican writer & poet and a Programme Manager for the Scottish BAME Writers Network. In 2019, she was awarded Cove Park’s Emerging Writer Residency and shortlisted for the Bridge Awards. Her writing is published by TSS Publishing, Momaya Press, Tapsalteerie
and Shoreline of Infinity.

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