Dance Base, 14-16 Grassmarket, Edinburgh EH1 2JU
Inspired by the powerful quote from musician and activist Amanda Seales. This artwork proclaims:
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The Royal Lyceum Theatre, 30b Grindlay St, Edinburgh EH3 9AX
These three complementary pieces are portraits of the artist’s grandmother and great aunts. All of which taught him the value of hard work and perseverance by achieving great success in various professional fields. They are some of the most successful people in the family and they are black women – one of, if not the single most overlooked and underrated demographic in modern society.
A midwife, a school teacher and a nurse. They nurtured, taught and healed others even when the world didn’t do the same for them. Never losing their pride, their poise or their power. Their lives don’t just matter. They’re essential. Here, they are celebrated. The pieces have been purposely made to look like distressed pop-art. Idols in makeshift, political iconology. An acknowledgement of the past as we look toward the future. Red for the sacrifices of our ancestors. Yellow for the wealth of knowledge and empowerment passed down to us. Green for the motherland and our hopes for it and our people’s future.
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https://www.instagram.com/theneonrequiem/
Usher Hall, Lothian Rd, Edinburgh EH1 2EA
Abigail Mills aka Abz, is a queer Scottish-Jamaican tattoo and graffiti artist from Kirkcaldy. Abz has been an artist since childhood, always able to visualise and create ideas… Having been tattooing for over 9 years, Abz works in Glasgow, Dunfermline and Kirkcaldy in a bright, colourful and thought-provoking style.
Abz work on the Usher Hall Glass wing calls for justice to Sheku Bayouh and her artwork on Lothian Road sits as a provocation to Scotland as a nation.
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https://www.instagram.com/abzmillstattoos/
Usher Hall, Lothian Rd, Edinburgh EH1 2EA
The musical lyrics of various Black and Asian Scottish artists speak to their lived experience of living in Scotland, including Eliza Shaddad, Emeli Sande, Helicopter Girl, Soom T and Young Fathers.
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Traverse Theatre, 10 Cambridge St, Edinburgh EH1 2ED
Annie is an Edinburgh-based writer, theatremaker and occasional filmmaker, who was born in Kerala India, and has worked in Scottish theatre since 1991. She was awarded the Ignite Fellowship 2019 (Scottish Book Trust) and the 2016 Inspiring Scotland Bursary.
Recent productions include ‘Twa’, a collaboration with visual artist Flore Gardner, and the solo shows ‘Home is Not the Place’ and ‘The Bridge’. She has worked with numerous artists and organisations including Magnetic North, Mara Menzies and Stellar Quines, and was Actor/Producer in the late ‘90s, with Fringe-First winning CAT. A. Theatre Company
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https://anniegeorge.net
Lower Gilmore Place, Edinburgh
This mural at Lower Gilmore Place, exhibits a powerful portrait of Frederick Douglass, the former enslaved man who became one of the most prestigious antislavery agents of his time. The building is the location in which Fredrick Douglass resident while in Edinburgh in 1846, eight years after escaping the brutal regime of his enslaver on a plantation in Maryland.
Following his escape, Douglass became a leading light in the US abolitionist movement and was sent to Great Britain on a speaking tour.
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Edinburgh Printmakers, Castle Mills, 1 Dundee St, Edinburgh EH3 9FP
Adebusola Ramsay, born in Lagos, Nigeria, lives and works in Glasgow, Scotland. She is an abstract artist, whose practice has developed over the last 20 years. Her art takes form in painting and printmaking, working mostly with acrylics and features evocative colour contrast and textural detail. She explores different forms of mark-making to create new perspectives in irregular line and colour patterns.
Obfuscation was painted reflecting on how we are conditioned into certain ways of thinking and how our current oppressive modes of social ordering came to be and are maintained.
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https://adebusolaramsay.com/
The Queens Hall, Clerk St, Newington, Edinburgh EH8 9JG
The problem of police brutality in Black and Brown communities has become a very frustrating issue. Part of the reason for exasperation lies with the fact that we are divided as a country when it comes to the notion of responsible policing. This became apparent when the “Black Lives Matter” movement was quickly met by obstinate supporters of police officers, rebelliously retorting chants of “All Lives Matter” and “Blue Lives Matter.”
Playing with the misleading statement “all lives matter” I would like to take off one letter changing the statement to “all li es matter” which I find simple but strong.
Rudy Kanhye is a French Artist, curator and writer. Masters graduate of Glasgow School of Art, Rudy developed his practice around the dialogue between cultures, people, past, present and what the future could be. Working primarily with themes related to identity, history, and popular culture. His work focuses on framing and context.
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https://www.instagram.com/rudykanhye
